Latest Sheet Music
Cinderella's sister
Eun-jo slowly begins to like her stepfather Dae-sung when she moves into his house. However, Dae-sung's daughter Hyo-sun is intimidated by Eun-jo's presence and feels neglected.
Robbie Williams

Robert Peter Maximilian Williams (born 13 February 1974) is a Grammy Award-nominated, 15-time BRIT Award-winning English singer-songwriter. His career started as a member of the pop band Take That in 1990. He left Take That in 1995 to begin his solo career, after selling 25 million records with the group.
His album sales stand at over 55 million, with singles sales over 17 million.
Williams entered the The Guinness Book of World Records when in just one day he sold more than 1.6 million tickets for his 2006 world tour. He has been the recipient of many awards, including fifteen BRIT and six ECHO awards. In 2004, he was inducted into the UK Music Hall of Fame, after being voted as the Greatest artist of the 1990s.
Robbie Williams is the artist who is currently featured the most times in the UK Now That's What I Call Music! series. In the first 68 Now!s he has appeared 29 times (including 4 times with Take That). His first appearance was with Take That on Now 22 and his most recent appearance was on Now 66 with "She's Madonna".
His album sales stand at over 55 million, with singles sales over 17 million.
Williams entered the The Guinness Book of World Records when in just one day he sold more than 1.6 million tickets for his 2006 world tour. He has been the recipient of many awards, including fifteen BRIT and six ECHO awards. In 2004, he was inducted into the UK Music Hall of Fame, after being voted as the Greatest artist of the 1990s.
Robbie Williams is the artist who is currently featured the most times in the UK Now That's What I Call Music! series. In the first 68 Now!s he has appeared 29 times (including 4 times with Take That). His first appearance was with Take That on Now 22 and his most recent appearance was on Now 66 with "She's Madonna".
Anonymous

Easy piano sheets to teach kids how to play piano.
Falcón Sanabria

Juan José Falcón Sanabria is a Spanish conductor and composer. Falcón Sanabria conducts the Coral Polifónica de Las Palmas and Orquesta Filarmónica de Gran Canaria
Elton John

Sir Elton Hercules John CBE (born Reginald Kenneth Dwight on 25 March 1947) is an English pop/rock singer, composer and pianist.
In his four-decade career, John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40 hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll. In 2004, Rolling Stone ranked him #49 on their list of the 100 greatest artists of all time.
Some of the characteristics of John's musical talent include an ability to quickly craft melodies for the lyrics of songwriting partner Bernie Taupin, his former rich tenor (now baritone) voice, his classical and gospel-influenced piano, the aggressive orchestral arrangements of Paul Buckmaster among others and the flamboyant fashions, outlandishly excessive eyeglasses, and on-stage showmanship, especially evident during the 1970s.
John was inducted into the Rock and Roll Hall of Fame in 1994. He has been heavily involved in the fight against AIDS since the late 1980s, and was knighted in 1998. He entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. On April 9, 2008, John held a benefit concert for Hillary Clinton's presidential campaign, raising $2.5 million.
In his four-decade career, John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40 hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll. In 2004, Rolling Stone ranked him #49 on their list of the 100 greatest artists of all time.
Some of the characteristics of John's musical talent include an ability to quickly craft melodies for the lyrics of songwriting partner Bernie Taupin, his former rich tenor (now baritone) voice, his classical and gospel-influenced piano, the aggressive orchestral arrangements of Paul Buckmaster among others and the flamboyant fashions, outlandishly excessive eyeglasses, and on-stage showmanship, especially evident during the 1970s.
John was inducted into the Rock and Roll Hall of Fame in 1994. He has been heavily involved in the fight against AIDS since the late 1980s, and was knighted in 1998. He entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. On April 9, 2008, John held a benefit concert for Hillary Clinton's presidential campaign, raising $2.5 million.
Liszt

Franz Liszt (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher.
Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.
Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.
Mozart

Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Ray Davies

Sir Raymond Douglas Davies, CBE (/ˈdeɪvɪz/ DAY-viz; born 21 June 1944) is an English singer, songwriter and musician. He was the lead singer, rhythm guitarist and main songwriter for the Kinks, which he led with his younger brother, Dave. He has also acted, directed and produced shows for theatre and television. He is often referred to as "the godfather of Britpop". After the dissolution of the Kinks in 1996, Davies embarked on a solo career.
Jean Absil

Jean Absil as guitar composer. Discussions relating to the classical guitar which don't fit elsewhere. Forum rules. 6 posts • Page 1 of 1.
David Lee

David Lee Roth is an American rock musician, singer, songwriter and former radio personality. Best known for his wild, energetic stage persona, he was the lead singer of the hard rock band Van Halen across three stints, from 1974 to 1985, in 1996 and again from 2006 to their disbandment in 2020.
Antonio Carlos Jobim

Antonio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro – December 8, 1994 in New York City), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, Jobim is acknowledged as one of the most influential popular composers of the 20th century. His songs have been performed by many singers and instrumentalists within Brazil and internationally.
Cinderella

Cinderella is a 1950 animated feature produced by Walt Disney, and released to theaters on February 15, 1950 by RKO Radio Pictures. The twelfth animated feature in the Disney animated features canon, the film was directed by Clyde Geronimi, Hamilton Luske and Wilfred Jackson, based the fairy tale "Cinderella" by Charles Perrault. Songs were written by Mack David, Jerry Livingston, and Al Hoffman. Songs in the film include "A Dream Is a Wish Your Heart Makes", "Bibbidi-Bobbidi-Boo", "So This Is Love", "Sing Sweet Nightingale", "The Work Song", and "Cinderella."
The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo".
The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo".
Mariah Carey

Mariah Carey (born March 27, 1970) is an American singer, songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and became the first recording artist to have her first five singles top the U.S. Billboard Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records established her position as Columbia's highest-selling act. According to Billboard magazine, she was the most successful artist of the 1990s in the United States.
Following her separation from Mottola in 1997, Carey introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia in 2001, and she was dropped by Virgin Records the following year after a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and after a relatively unsuccessful period, she returned to pop music in 2005.
Carey was named the best-selling female pop artist of the millennium at the 2000 World Music Awards. She has had the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles), where, according to the Recording Industry Association of America, she is the third best-selling female and sixteenth overall recording artist. In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her vocal range, power, melismatic style, and use of the whistle register.
Following her separation from Mottola in 1997, Carey introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia in 2001, and she was dropped by Virgin Records the following year after a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and after a relatively unsuccessful period, she returned to pop music in 2005.
Carey was named the best-selling female pop artist of the millennium at the 2000 World Music Awards. She has had the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles), where, according to the Recording Industry Association of America, she is the third best-selling female and sixteenth overall recording artist. In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her vocal range, power, melismatic style, and use of the whistle register.
Eric Satie

Éric Alfred Leslie Satie (Honfleur, 17 May 1866 – Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie.
Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
Ennio Morricone

Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Alan Menken

Alan Menken (born July 22, 1949 in New Rochelle, New York) is an American Broadway and an eight-time Academy Award winning composer and pianist. Menken has collaborated with several renowned lyricists including Howard Ashman (1950-1991), Tim Rice and Stephen Schwartz.
Oscar Peterson

Oscar Emmanuel Peterson, CC, CQ, O.Ont. (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, "O.P." by his friends, and was a member of jazz royalty. He released over 200 recordings, won seven Grammy Awards, and received other numerous awards and honours over the course of his career. He is considered to have been one of the greatest jazz pianists of all time, who played thousands of live concerts to audiences worldwide in a career lasting more than 65 years.
David Haas

David Robert Haas (born 1957 in Bridgeport, Michigan) is an American author and composer of contemporary Catholic liturgical musicIn 2020, dozens of women accused him of sexual misconduct spanning several decades, and he issued a public apology for harmful behavior.
Brad Wilson

Brad Wilson is a California guitarslinger who plays rocked-up blues and is a charismatic and talented guitarist, vocalist and songwriter. Performing over 100 shows a year, Brad has become known as a smokin' hot Blues player who can rock the house all night long with the best of them.
Henry Lefkowitch

Henry Lefkowitch Biography. Henry was a composer and publisher of Jewish music and founder of the Beethoven Orchestra. He was 67 (born 1892) when he died in ...
Rachmaninoff

Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Bill Withers

Bill Withers (born July 4, 1938 in Slab Fork, West Virginia) is an American singer-songwriter who performed and recorded from the late 1960s until the mid 1980s. Some of his best-known songs are "Ain't No Sunshine," "Use Me," "Lovely Day," "Lean on Me", "Grandma's Hands" and "Just the Two of Us".
Alfred Newman

Alfred Newman was an American composer, arranger, and conductor of film music. From his start as a music prodigy, he came to be regarded as a respected figure in the history of film music.
Richard Rodgers

Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer of music for more than 900 songs and for 43 Broadway musicals. He also composed music for films and television. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music down to the present day, and have an enduring broad appeal.
Rodgers is one of only two persons to have won an Oscar, a Grammy, an Emmy, a Tony Award, and a Pulitzer Prize (Marvin Hamlisch is the other).
Rodgers is one of only two persons to have won an Oscar, a Grammy, an Emmy, a Tony Award, and a Pulitzer Prize (Marvin Hamlisch is the other).
Bach

Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Henryk Wieniawski

Henryk Wieniawski (10 July 1835 – 31 March 1880) was a Polish violinist and composer. He was considered a violinist of genius and wrote some of the most important works in the violin repertoire, including two extremely difficult violin concertos, the second of which (in D minor, 1862) is more often performed than the first (in F♯ minor, 1853). His "L'Ecole Moderne, 10 Etudes-Caprices" is a very well known and required work for aspiring violinists. His Scherzo-Tarantelle, Op. 16 and Légende, Op. 17 are also frequently performed works. He also wrote two popular mazurkas for solo violin and piano accompaniment (the second one, Obertas, in G Major), using techniques such as left-hand pizzicato, harmonics, large leaps, and many double stops. Wieniawski has been given a number of posthumous honors. His portrait appeared on a postage stamp of Poland in 1952 and again in 1957. A 100 Złoty coin was issued in 1979 bearing his image.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
Vytautas Miškinis

Vytautas Miškinis (born 5 June 1954 in Vilnius, Lithuanian SSR, Soviet Union) is a Lithuanian music composer and professor, who has been Choir Director of the Lithuanian Academy of Music and Theatre conservatory since 1985. He has also served as Artistic Director of the Ąžuoliukas youth choir.
He began his career in Ąžuoliukas at the age of seven as a vocalist, and continued as Artistic Director from the age of 25. All the achievements of the choir from 1979 have been due to Mr. Miškinis’ leadership.
For several years he conducted the Kaunas State Choir and Vocal Ensemble Museum Musicum. With the choirs, he has won prestigious prizes at numerous national and international competitions – in Marktoberdorf, Gorizia, Varna, Maribor, Tampere, Mainhausen, Nantes. Currently Mr. Miškinis is the Artistic Director and Chief Conductor of the All-Lithuanian Choir Festival.
Vytautas Miškinis has led choral performances and given lectures in Austria, Belarus, Belgium, Canada, the Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Italy, Japan, Latvia, the Netherlands, Norway, Poland, Russia, Slovenia, Spain, Sweden, Switzerland, the Ukraine and USA.
He began his career in Ąžuoliukas at the age of seven as a vocalist, and continued as Artistic Director from the age of 25. All the achievements of the choir from 1979 have been due to Mr. Miškinis’ leadership.
For several years he conducted the Kaunas State Choir and Vocal Ensemble Museum Musicum. With the choirs, he has won prestigious prizes at numerous national and international competitions – in Marktoberdorf, Gorizia, Varna, Maribor, Tampere, Mainhausen, Nantes. Currently Mr. Miškinis is the Artistic Director and Chief Conductor of the All-Lithuanian Choir Festival.
Vytautas Miškinis has led choral performances and given lectures in Austria, Belarus, Belgium, Canada, the Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Italy, Japan, Latvia, the Netherlands, Norway, Poland, Russia, Slovenia, Spain, Sweden, Switzerland, the Ukraine and USA.
Nathan Mcree

Nathan McCree (born 27 January 1969) is an English music composer and sound effects editor for multimedia projects including computer games, television, live events, and radio. He worked with Core Design between 1996 and 1998, for the first three Tomb Raider games, among others. He worked also with high-profile names such as the Spice Girls and Orange. In 2008 he became full-time Audio Director for Vatra Games where he worked until 2010. After this he became Audio Director at City Interactive in Warsaw where he worked on Sniper: Ghost Warrior 2 and Alien Rage. McCree then went freelance and set up his own studio in Brno, Czech Republic.
Andres Calamaro

Andrés Calamaro (Andrés Calamaro Massel, August 22, 1961), is an Argentine musician, composer and Latin Grammy winner. His former band Los Rodríguez was a major success in Spain and throughout Latin America mainly during the 1990s. He is multi-instrumentalist and became one of the main icons of Argentine rock, selling over 1.3 million records to date.
Anastasia

Anastasia is an Academy Award nominated American animated feature musical film produced and directed by Don Bluth and Gary Goldman at Fox Animation Studios, and was released on November 14, 1997 by 20th Century Fox.
The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
Jeff Buckley

Jeffrey Scott "Jeff" Buckley (November 17, 1966 – May 29, 1997), raised as Scotty Moorhead, was an American singer-songwriter and guitarist. He was the son of Tim Buckley, also a musician. After a decade as guitarist-for-hire in Los Angeles, Buckley gained popularity in the early 1990s by playing cover songs at venues in Manhattan's East Village, such as Sin-é, gradually focusing more on his own material. After rebuffing much interest from record labels and his father's manager Herb Cohen, he signed with Columbia, recruited a band, and recorded what would be his only studio album, Grace.
Over the following two years, the band toured widely to promote the album, including concerts in the U.S., Europe, Japan and Australia. In 1996, they stopped touring and in 1997 moved to Memphis, Tennessee, to experiment with new material for a second album, recording many four-track demos and completing his third recording session for his new album with his band, with Tom Verlaine as producer. While awaiting the arrival of his band from New York, he drowned during an evening swim in the Wolf River. His body was found on June 4, 1997.
Over the following two years, the band toured widely to promote the album, including concerts in the U.S., Europe, Japan and Australia. In 1996, they stopped touring and in 1997 moved to Memphis, Tennessee, to experiment with new material for a second album, recording many four-track demos and completing his third recording session for his new album with his band, with Tom Verlaine as producer. While awaiting the arrival of his band from New York, he drowned during an evening swim in the Wolf River. His body was found on June 4, 1997.
Rent

Rent is a rock musical, with music and lyrics by Jonathan Larson based on Giacomo Puccini's opera La Bohème. It tells the story of a group of impoverished young artists and musicians struggling to survive and create in New York's Lower East Side in the thriving days of the Bohemian East Village, under the shadow of AIDS.
Rent won a Tony Award for Best Musical and a Pulitzer Prize, among other awards. In addition, its cast was unusually ethnically diverse. Rent brought controversial topics to a traditionally conservative medium, and it helped to increase the popularity of musical theater amongst the younger generation. "Rent speaks to Generation X the way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The musical was first seen at the New York Theatre Workshop in 1994. On January 26, 1996, Rent opened in New York City off-Broadway before moving to Broadway's Nederlander Theatre on April 29, 1996. Rent has been successful on Broadway, where it had critical acclaim and word-of-mouth popularity. The Broadway production of Rent closed on September 7, 2008 after a 12 year run and 5,124 performances, making it the seventh-longest-running Broadway show. The production has grossed over $280 million. At the time of its closing, it was the second-longest-running musical currently on Broadway, eight years behind The Phantom of the Opera.
Rent won a Tony Award for Best Musical and a Pulitzer Prize, among other awards. In addition, its cast was unusually ethnically diverse. Rent brought controversial topics to a traditionally conservative medium, and it helped to increase the popularity of musical theater amongst the younger generation. "Rent speaks to Generation X the way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The musical was first seen at the New York Theatre Workshop in 1994. On January 26, 1996, Rent opened in New York City off-Broadway before moving to Broadway's Nederlander Theatre on April 29, 1996. Rent has been successful on Broadway, where it had critical acclaim and word-of-mouth popularity. The Broadway production of Rent closed on September 7, 2008 after a 12 year run and 5,124 performances, making it the seventh-longest-running Broadway show. The production has grossed over $280 million. At the time of its closing, it was the second-longest-running musical currently on Broadway, eight years behind The Phantom of the Opera.
Donna Burke

Western Australian singer Donna Burke gained millions of fans in 2010 when “When Heaven's Divide” from the hit video game Metal Gear Solid Peace Walker ...
Giuseppe Giordani

Giuseppe Tommaso Giovanni Giordani was an Italian composer, mainly of opera. Giordani's parents were Domenico Giordani and Anna Maria Tosato. He studied music in Naples with Domenico Cimarosa and Niccolò Antonio Zingarelli. In 1774 he was appointed as music director of the chapel of the Duomo of Naples.
Helene Segara

Hélène Ségara (French pronunciation: ; born Hélène Aurore Alice Rizzo on 26 February 1971) is a French singer who came to prominence playing the role of Esmeralda in the French musical Notre Dame de Paris. She has sold over 10 million records.
Giulio Caccini

Giulio Romolo Caccini (also Giulio Romano) (Rome, 8 October 1551 – Florence, buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini.
Sergei Bortkiewicz

Sergii Bortkevych (Ukrainian: Сергі́й Едуа́рдович Бортке́вич, Russian: Серге́й Эдуа́рдович Бортке́вич; 28 February 1877 – 25 October 1952) was a Ukrainian Romantic composer and pianist of Polish ancestry.Sergei Eduardovich Bortkiewicz was born in Kharkov, Russian Empire (in present-day Kharkiv, Ukraine) on 28 February 1877 in a Polish noble family (father, Edward Bortkiewicz; mother, Zofia Bortkiewicz née Uszyńska) and spent most of his childhood on the family estate of Artemivka, near Kharkiv. Bortkiewicz received his musical training from Anatoly Lyadov and Karl von Arek at the Imperial Conservatory of Music in Saint Petersburg.
Joseph Lamb

Joseph Francis Lamb (December 6, 1887 - September 3, 1960) was an American ragtime composer. Lamb, who is of Irish descent, is the only non-African in the "Big Three" of Classical Ragtime composers. He died of a heart attack in Brooklyn at the age of 72.
The Scarlett Pimpernell

The Scarlet Pimpernel is a musical with music by Frank Wildhorn and lyrics and book by Nan Knighton, based on the 1905 novel of the same name by Baroness Orczy. The show is set in England and France during the Reign of Terror of the French Revolution.
Felix Mendelssohn

Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (February 3, 1809 – November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
Marcus Miller

Marcus Miller, American jazz musician, bass player. He has gained an important place in the jazz world with his works with Miles Davis and David Sanborn. Miller studied clarinet; He can play keyboard instruments, bass clarinet and guitar very well and also perform vocals.
Yiruma

Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Radiohead

Radiohead are an English alternative rock band from Oxfordshire. The band is composed of Thom Yorke (lead vocals, rhythm guitar, piano, electronics), Jonny Greenwood (lead guitar, other instruments), Ed O'Brien (guitar, backing vocals), Colin Greenwood (bass guitar, synthesisers) and Phil Selway (drums, percussion). Since 1993, Radiohead have released seven studio albums. The band have sold over 25 million albums as of 2007.
Radiohead released their first single, "Creep", in 1992. Their debut album, Pablo Honey, followed in 1993. "Creep" was initially unsuccessful, but the song became a worldwide hit when reissued a year later, and the band were almost branded as one hit wonders. Radiohead's popularity in the United Kingdom increased with the release of their second album, The Bends (1995). The band's textured guitar atmospheres and Yorke's falsetto singing were warmly received by critics and fans. Radiohead's third album, OK Computer (1997), propelled the band to greater fame worldwide. Featuring an expansive sound and themes of alienation from the modern world, OK Computer has often been acclaimed as a landmark record of the 1990s.
The release of Kid A (2000) and Amnesiac (2001) saw Radiohead reach the peak of their popularity, although the albums divided critical opinion. This period marked a change in Radiohead's musical style, with their incorporation of avant-garde electronic music, Krautrock and jazz influences. Hail to the Thief (2003), which mixed guitar-driven rock with electronics and contemporary lyrics, was the band's final album for their record label, EMI. Radiohead's seventh album, In Rainbows (2007), was first released independently as a digital download for which customers selected their own price, later meeting with critical and chart success.
Radiohead released their first single, "Creep", in 1992. Their debut album, Pablo Honey, followed in 1993. "Creep" was initially unsuccessful, but the song became a worldwide hit when reissued a year later, and the band were almost branded as one hit wonders. Radiohead's popularity in the United Kingdom increased with the release of their second album, The Bends (1995). The band's textured guitar atmospheres and Yorke's falsetto singing were warmly received by critics and fans. Radiohead's third album, OK Computer (1997), propelled the band to greater fame worldwide. Featuring an expansive sound and themes of alienation from the modern world, OK Computer has often been acclaimed as a landmark record of the 1990s.
The release of Kid A (2000) and Amnesiac (2001) saw Radiohead reach the peak of their popularity, although the albums divided critical opinion. This period marked a change in Radiohead's musical style, with their incorporation of avant-garde electronic music, Krautrock and jazz influences. Hail to the Thief (2003), which mixed guitar-driven rock with electronics and contemporary lyrics, was the band's final album for their record label, EMI. Radiohead's seventh album, In Rainbows (2007), was first released independently as a digital download for which customers selected their own price, later meeting with critical and chart success.
Athur Laurent

Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
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Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
vte
Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
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In 2000 Chou released his first album, titled Jay, under the record company Alfa Music. Since then he has released one album per year, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, Singapore, Thailand, Vietnam and in overseas Asian communities, winning more than 20 awards each year. He has sold over 25 million albums worldwide. He debuted his acting career in Initial D (2005), for which he won Best Newcomer Actor in Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in Curse of the Golden Flower (2006). His career now extends into directing and running his own record company JVR Music. He has also endorsed various models of Media Players released by Onda in which he appears on the box, and his signature and likeness is printed on the back of certain models of these players.
Lady Antebellum

Lady Antebellum is an American country music group formed in Nashville, Tennessee in 2006. The group is composed of Hillary Scott (lead and background vocals), Charles Kelley (lead and background vocals, guitar), and Dave Haywood (background vocals, guitar, piano, mandolin). Scott is the daughter of country music singer Linda Davis, and Kelley is the brother of pop singer Josh Kelley.
Carl Michael Bellman

Carl Michael Bellman (help·info) (4 February 1740 – 11 February 1795) was a Swedish poet and composer. Bellman is a central figure in the Swedish song tradition and remains a very important influence in Swedish music, as well as in Scandinavian literature in general, to this day.
Bellman was born in Stockholm. His main works are the Songs of Fredman (Fredmans sånger) and the Epistles of Fredman (Fredmans epistlar), each including some 70 songs, many of which are about sociable drinking and/or designed for the occasion of the same. But this aspect of his songs is not the main reason he has become such an icon in the Scandinavian song tradition. A master of rhyme and rhythm, with a wonderful sense for combining words and music, he wrote songs that were innovative and original in form (parodying and refreshing contemporary literary styles was one of his specialities), as well as challenging in subject matter. On the surface, his songs centred to a large extent around themes like the joy of inebriation and the pursuit of sexual pleasure. Against this backdrop, however, he manages to elucidate the tender and fleeting themes of love, death, and the elusive qualities of the "present", the here-and-now, in a unique and moving manner. His songs reflect aspects of the life of the common man in 18th century Stockholm, but by his composition Gustafs skål, an informal royal anthem, he had also acquired the patronage of King Gustav III of Sweden. Some of the characters in his songs are the clockmaker Fredman, the prostitute Ulla Winblad, the ex-soldier, now alcoholic Mowitz and Fader Berg, a virtuoso on several instruments. Some of these were based on living models, some probably not. His songs often make references to Greek and Roman mythological characters such as the ferryman Charon and the God of wine and pleasure, Bacchus.
Bellman was born in Stockholm. His main works are the Songs of Fredman (Fredmans sånger) and the Epistles of Fredman (Fredmans epistlar), each including some 70 songs, many of which are about sociable drinking and/or designed for the occasion of the same. But this aspect of his songs is not the main reason he has become such an icon in the Scandinavian song tradition. A master of rhyme and rhythm, with a wonderful sense for combining words and music, he wrote songs that were innovative and original in form (parodying and refreshing contemporary literary styles was one of his specialities), as well as challenging in subject matter. On the surface, his songs centred to a large extent around themes like the joy of inebriation and the pursuit of sexual pleasure. Against this backdrop, however, he manages to elucidate the tender and fleeting themes of love, death, and the elusive qualities of the "present", the here-and-now, in a unique and moving manner. His songs reflect aspects of the life of the common man in 18th century Stockholm, but by his composition Gustafs skål, an informal royal anthem, he had also acquired the patronage of King Gustav III of Sweden. Some of the characters in his songs are the clockmaker Fredman, the prostitute Ulla Winblad, the ex-soldier, now alcoholic Mowitz and Fader Berg, a virtuoso on several instruments. Some of these were based on living models, some probably not. His songs often make references to Greek and Roman mythological characters such as the ferryman Charon and the God of wine and pleasure, Bacchus.
Dixie Chicks

The Dixie Chicks are a multiple Grammy Award-winning female alternative country band, composed of three women: Emily Robison, Martie Maguire and Natalie Maines. They are the highest-selling female musical group in any musical genre, having sold over 36 million albums as of May 2008.
The group formed in 1989 in Dallas, Texas, and was originally composed of four women performing bluegrass and country music, busking and touring the bluegrass festival circuits and small venues for six years, without attracting a major label. After the departure of one bandmate, the replacement of their lead singer, and a slight change in their repertoire, the Dixie Chicks achieved massive country and pop success, beginning in 1998 with hit songs such as "Wide Open Spaces", "Cowboy Take Me Away", and "Long Time Gone". The women became well-known for their independent spirit, instrumental virtuosity, thoughtful song compositions, fierce loyalty, and outspoken comments on controversial subjects, including politics.
Ten days before the 2003 invasion of Iraq, lead vocalist Natalie Maines said "they didn't want this war, this violence and that we're ashamed the President of the United States is from Texas". The ensuing controversy, by people who supported an invasion and war in Iraq, cost the group half of their concert audience attendance in the United States and led to charges of being un-American and death threats. As of 2008, they have won thirteen Grammy Awards, with five of them earned in 2007 including the coveted Grammy Award for Album of the Year for Taking The Long Way.
The group formed in 1989 in Dallas, Texas, and was originally composed of four women performing bluegrass and country music, busking and touring the bluegrass festival circuits and small venues for six years, without attracting a major label. After the departure of one bandmate, the replacement of their lead singer, and a slight change in their repertoire, the Dixie Chicks achieved massive country and pop success, beginning in 1998 with hit songs such as "Wide Open Spaces", "Cowboy Take Me Away", and "Long Time Gone". The women became well-known for their independent spirit, instrumental virtuosity, thoughtful song compositions, fierce loyalty, and outspoken comments on controversial subjects, including politics.
Ten days before the 2003 invasion of Iraq, lead vocalist Natalie Maines said "they didn't want this war, this violence and that we're ashamed the President of the United States is from Texas". The ensuing controversy, by people who supported an invasion and war in Iraq, cost the group half of their concert audience attendance in the United States and led to charges of being un-American and death threats. As of 2008, they have won thirteen Grammy Awards, with five of them earned in 2007 including the coveted Grammy Award for Album of the Year for Taking The Long Way.
Marc-André Hamelin
Marc-André Hamelin, OC, CQ (born September 5, 1961), is a Canadian virtuoso pianist and composer. Hamelin is recognized worldwide for the originality and technical proficiency of his performances of the classic repertoire. He has received 11 Grammy Award nominations.
Ludwig van Beethoven

Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.